| BEST
EDITED FEATURE FILM (DRAMATIC) |
| BROKEBACK MOUNTAIN
- Geraldine Peroni & Dylan
Tichenor, A.C.E. |
| The Constant Gardener -
Claire Simpson |
| Crash - Hughes Winborne |
| Goodnight, and Good Luck
- Stephen Mirrione, A.C.E. |
| Munich
- Michael Kahn, A.C.E. |
|
| BEST
EDITED FEATURE FILM (COMEDY OR MUSICAL) |
| Charlie and the Chocolate
Factory -
Chris Lebenzon, A.C.E. |
| The Family Stone
- Jeffrey Ford |
| Pride & Prejudice
- Paul Tothill |
| Wedding Crashers
- Mark Livolsi |
| Walk the Line
- Michael McCusker |
|
| BEST
EDITED HALF-HOUR SERIES FOR TELEVISION |
| Arrested Development:
“The Ocean Walker” - Stuart
Bass, A.C.E. |
| Curb Your Enthusiasm:
“Kamikaze Bingo” - Steven
Rasch |
| My Name is Earl:
“Pilot” - Janet Ashikaga,
A.C.E. |
|
| BEST
EDITED MINISERIES OR MOTION PICTURE FOR NON-COMMERCIAL
TELEVISION |
| Lackawanna Blues
- Brian A. Kates |
| Reefer Madness
- Jeff Freeman, A.C.E. |
| Warm Springs
- Michael Brown, A.C.E. |
|
| BEST
EDITED ONE-HOUR SERIES FOR COMMERCIAL TELEVISION |
| 24:
“10pm to 11pm” - Chris
Willingham, A.C.E. |
| Boston Legal:
“Ass Fat Jungle” - Phil Neel,
A.C.E. |
| Lost:
“Outlaws” - Stephen Semel,
A.C.E. |
| Prison Break:
“Pilot” - Mark Helfrich,
A.C.E., |
|
| BEST
EDITED ONE-HOUR SERIES FOR NON-COMMERCIAL TELEVISION |
| Carnivàle:
“Creed, Ok” - David J.
Siegel, A.C.E. |
| Deadwood:
“A Lie Agreed Upon-Part 1” -
Stephen Mark, A.C.E. |
| Six Feet Under:
“Everyone's Waiting” -
Michael Ruscio, A.C.E. |
|
| BEST
EDITED DOCUMENTARY |
| Grizzly Man
- Joe Bini |
| James Dean: Forever Young
- Michael J. Sheridan, A.C.E.,
Jack Tucker, A.C.E., Patrea Patrick and Fred Roth |
| March of the Penguins
- Sabine Emiliani |
|
| BEST
EDITED MINISERIES OR MOTION PICTURE FOR COMMERCIAL
TELEVISION |
| Code Breakers
- Michael Brown, A.C.E. |
| Four Minutes
- Michael Ornstein, A.C.E. |
| Their Eyes Were Watching God
- Peter Frank, A.C.E. |
| |
